Roy Orbison’s song “(They Call You) Gigolette” is a timeless example of his mastery in blending melancholy and romanticism through his deep, soulful voice. Released in 1964, the track features Orbison’s signature lush orchestration and heartfelt delivery, capturing the complex emotions of love, longing, and identity. The song, although not as commercially successful as some of Orbison’s other hits like “Oh, Pretty Woman” or “Only the Lonely,” remains a powerful piece that showcases the artist’s unique ability to tell a poignant story through music.
The song’s title, “(They Call You) Gigolette,” refers to the French term “gigolette,” which historically described a young woman who was perceived as promiscuous or a woman of loose morals. This reference adds a layer of complexity to the song, as Orbison sings from the perspective of someone who is captivated by a woman who fits this description. Throughout the song, the narrator seems torn between fascination and judgment, a struggle between desire and societal expectations.
Orbison’s voice, with its haunting quality and vulnerability, is perfectly suited to the themes of the song. His ability to convey deep emotion without excessive theatrics allows the listener to connect with the character he is portraying. Orbison’s lyrics do not shy away from expressing both admiration and pity for the woman at the center of the story. He acknowledges her allure, yet he also recognizes the societal stigma attached to her. This sense of duality is amplified by the lush production, which combines orchestral strings with the lush reverb of the early ’60s rock era.
The melody is typical of Orbison’s style—melodic, sweeping, and dramatic, with crescendos that match the intensity of the lyrics. It mirrors the emotional highs and lows of the narrator, as he contemplates the woman’s life and his own feelings toward her. Despite the song’s somewhat tragic undertones, there is also a sense of longing, as Orbison’s vocal performance suggests that the narrator’s feelings for the woman are complicated and layered.
Lyrically, the song paints a vivid picture of a woman who is perhaps misunderstood by society, a woman who lives on the fringes of conventional expectations. Orbison doesn’t condemn her, but instead, he seems to be in awe of her, recognizing her complexity while also questioning her choices. The song reflects the tension between societal labels and the nuances of individual identity, offering a deeper commentary on judgment, love, and the search for meaning.
In conclusion, “(They Call You) Gigolette” remains an understated gem in Roy Orbison’s discography. While it may not have received the same commercial attention as his other hits, the song stands as a testament to Orbison’s ability to weave intricate emotional layers into his music. With its haunting melody, poignant lyrics, and heartfelt delivery, it remains a significant part of his musical legacy, resonating with anyone who has ever been caught in the web of love, judgment, and desire.